www.disilgold.com- America mourns the loss of Jennifer Hudson’s nephew, Julian King!

With much anticipation of Julian King’s safe return, tons of letters pouring out in sympathy and sincere condolences to Jennifer Hudson on MYSPACE from supporters, even Jennifer Hudson’s desperate plea with a 100,000 reward wasn’t enough for the assailants to return the articulate 7 year old who certaintly would have been able to name or describe his assailants.

The heartless  and armed criminals killed Jennifer Hudson’s mother and nephew. For hours neighbors had not reported the shootings because they are so use to random gunfire in the city plagued as the murder capital city of America with over 500 murders to date.

By the next day, everyone’s fears were confirmed when the remains of a  7 year child in a white truck without a note, reason or any sign of extortion was indeed the lifeless body of Julian King.  Unanswered questions leave Chicagoans perplexed, but media has linked the possible perpetrators  to a domestic dispute. It’s unfortunate Jennifer had not been able to  remove her entire family from the elements.  Shes just evolving. Her willingness to give up more money than your average Hollywood star in support of their family shows her heart. People downloaded her songs from her website in record numbers and to a tune of almost 1 million if these figures have not already surpassed this rate.

People think their homes are safe with locked doors and now the world sees that any door can be busted down and infiltrated by murderers with intent to kill. People now realize how tough Chicago (The Windy City) is and the town Barack Obama tiredlessly risked his life to be a community organizer.

This incident could have been prevented with noticeable camera survelliance neighborhood watch and neighborhood network emergency buttons linked to emergency police support. Why not have citizens of Chicago set of a neighborhood alarm so all eyes can be on patrol when intruders enter with intent to murder, rob and commit crimes.
Community crime is beginning a nationwide epidemic an dhitting everyone’s home. Who’s next. Jennifer Hudson reached out the world with her rendition of the Star Bangled Banner and now she is this countries literal SPOTLIGHT on how real crime is. Her travesty is evoking empathy for the struggle of people in inner ciities which is not just a cities problem, but everyone’s problem.  Had Jennifer been in that household during the murders she could have been killed and we would have lost another angel. Visit Jennifer Hudson’s spotlight on the www.disilgold.com for her candid interview before this travesty. One thing is for sure, Jennifer Hudson is supported by many and is here for a reason through all pain and suffering and sadness. Her journey is not over and just begun.

www.disilgold.com- If Barack Obama wins presidency did you know Oprah could become an ambassador?

WatchOprah very carefully these days. She just kicked off Gayle from her Friday line up because Gayle has sounds like a carbon copy of Oprah which doesn’t work for me and Oprah knows I feel this way. Nothing good about seeing two friends carrying on with the same voice and mannerisms. I think Gayle would be best for her own talkshow , but not as a sidekick of Oprah. I love her work in O! Magazine. The lady is brilliant, but Gayle is not complimenting Oprah by being a regular on the show. THis is severe competition. Now if Oprah becomes the Ambassador of the United Nations or something, I would recommend Gayle as an understudy host, but she’s going to have to return to that fire Oprah had when she started. These shows are predictable with Dr. Oz, Suzie Orman and the Friday Roundtable. Too commercialized and not enough down to earth interaction. You know it was the producer of WBLS who renqmed Disilgold SOUL, Disilgold SOUL Interactive and I still don’t get it. I am just too lazy to load on the script for comments for every post right now because all is well and I am contolling folks trying to dodge the celebs on board. Not having it! It’s rude and unprofessional to let folks comment anyway they want.  This blog is interactive and I am changing the settings soon so more folks can post with Avatars and link to their websites. Oprah needs to add more interactivity, stop giving away so much because someone has to stay the richest in the black community as a role model and of course, Oprah should load up more self-published author’s works in her Kendall book device that stores 3000 manuscripts and be the God to the self-publishing  world as she is to mainstream published books.

www.disilgold.com- October 26,2008- NBA Consultant Isiah Thomas Found Commatose on Overdose

NBA Consultant Isiah Thomas, former Knicks player and NBA Knick’s coach, now demoted to advisor after a failing season and 11.3 million lawsuit fulfilled due to verbal  sexual harrasment charges was reported earlier as a victim of drug overdose. He was admitted to the hospital, but released on the same day.

 Apparently, he took 4 or more prescribed sleeping pills too many and possibly didn’t adhere to the dosage recommendation. It is not apparent at this point if he purposely  took an over dosage to committ suicide or the overdosage of sleeping pills was simply a mistake. 

The media is being sympathetic to the former Knick’s manager who was jeered off the courts  as the person responsible for successive losses for the team prior to his dismissal.  His arrogant statement on air denying any wrong doing to the lady he referred to as “That lady” immediately lost sympathy  and compassion from most  African-American women beyond repair and for the most part he has remained unlikeable.

 However, no one really wished him bad enough to take his life. No one has forgotten how instrumental he was as a player on the Knicks Team representing petite players. He broke barriers and showed that height really didn’t matter. However, his insecurities may have cost him his stellar manager career built on top of what is perceived as arrogance. Add a sexual harrassment charge and even a good king is brought down.

Even if he did the unthinkable, most women’s reflections about his character would not change and therefore, to do so would just garner him the attention only as another added celebrity to the obituary statistic files who took his life in disgrace and so he might as well live his life and try to just continue to do good things from the heart. Success doesn’t always have to mean you are liked.

In fact,  no one cares about cop outs and if he did attempt the unthinkable, he is  not a role model to be respected on any NBA level.  Kids hearing about this will get the wrong message if indeed Isiah did attempt suicide. A statement to the public is owed and asap!

 

JUST IN: Isiah Thomas has been reported mentioning that the person was not him, but he did have a family problem. Bizarre indeed. How do you get 2 men submitted to hospital for same drug overdose report and both 47 years old. If Isiah wants to run with this recent controversy he is bound to make millions granting a story to the top bidder, but who’s buying?

 

Tune into DisilgoldSOUL Literary Review Magazine’s Daily Literary Dish Radio Show!

www.disilgold.com

www.disilgold.com- October 26,2008- Academy Award winner Jennifer Hudson Mother and Brother Presumably Found Murdered

At 3:00pm in Chicago’s southside the mother and brother of  Academy Award winner Jennifer Hudson, best known for supporting actress role in movie Dreamgirls and who currently has been receiving meteoric attention for her current “Spotlight” single,  were both found dead in a home said to be owned by parental victim due to gun shot wounds to the head and body.

Due to uncertainty of identity and the reports of a missing 7 year child, the actress who received word of the travesty immediately took route to return to her mother’s home.  The music industry, fans and media are in shock over circumstances which look to be the result of possible domestic violence, but already people are speculating that there may be foul play evolving around recent anticipated success of Jennifer Hudson’s new self-entitled album and what appeared to be an abrupt dimissal of a relationship followed by a new relationship and proposed engagement to a candidate seen on New York named Punk, but this is insane.

Others speculate possible monetary disputes.  It is too soon to speculate, but a notion must come to light  immediately  so that  anyone who knows anything can help find a missing child who’s life may be in jeopardy.  

JUST IN: A suspect has been found, but the child who’s name is Julian King is still missing.

Tune into Disilgold SOUL Magazine’s Daily Literary Dish Radio Show

www.disilgold.com

www.disilgold.com- Interview with Actress Sanaa Lathan

Sanaa Lathan

The Family That Preys Interview

with Kam Williams

 

 

Born in New York City on September 19, 1971, Sanaa McCoy Lathan is a Tony-nominated actress (for A Raisin in the Sun) who has been the recipient of accolades not only for her work on Broadway, but for her equally-powerful performances in movies and on television as well. She might be best known for the romantic comedy Something New, for which she landed an NAACP Image Award nomination last year. But the 5’7” beauty’s screen credits also include memorable roles in Love & Basketball, Brown Sugar, The Best Man, Life and Alien vs. Predator.

Sanaa received another Image Award nomination for the critically-acclaimed FX Network series Nip/Tuck. This past February, she reprised her role as Beneatha Younger opposite Sean Diddy Combs for the ABC-TV adaptation of A Raisin in the Sun. Here, she talks about her new movie, The Family That Preys, a dysfunctional family drama co-starring Taraji P. Henson, Alfre Woodard, Kathy Bates, Robin Givens and the film’s director, Tyler Perry.

 

KW: Hey, Sanaa, thanks for another interview.
SL: Oh, it’s my pleasure.

KW: As the daughter of a director/producer [Stan Lathan], did you find yourself comparing Tyler Perry to your father?
SL: Oh no, no. I’ve never really worked with my dad as an actress.

KW: How did you like working with Tyler?
SL: Tyler’s great. I love how he’s constantly working on a scene, adding lines. You never know what the scene’s going to turn out to be because he does it so many ways. He encourages improv and does lots of takes, so it was great. He’s such a professional, and he has an amazing situation down in Atlanta with the studio and with the crew. Everyone is so professional, and they have a shorthand for working, because they’ve been doing it together for a long time. And I really liked Atlanta. 

KW: Was that your first time shooting a film there?
SL: It was! I really kind of fell in love with the city. And this cast, we really hit it off, so I’m actually friends with a lot of them now. I had a blast.

KW: How did you like playing Andrea?
SL: I enjoyed it because the role is such a departure from everything I’ve done. She’s kind of like the villain.  Another thing I love about this movie is that it’s not about race. It happens to be about a white family and a black family, but it could just as easily be any family. We’re not dealing with the race issue. We’re just dealing with family relationships, friend relationships, marital relationships and infidelity.

KW: I hope there’s a trend towards this sort of colorblind casting.
SL: Exactly! It’s about time. People have to open their minds.

KW: This picture pairs you with Taraji Henson again. 
SL: Yeah, but we only had a couple scenes together in Something New, and there were always about three other people in each scene as well. This was fun, because we really got to play and got a chance to get to know each other very well.

KW: How was it reuniting with Diddy to do a made-for-TV movie version of A Raisin in the Sun?
SL: We had a good time. And it was nice to be able to do the movie after doing so many shows on Broadway. And having it so well received was just kind of awesome. Back when we were doing it on stage, I would never have guessed that we’d get to turn it into a movie.  

KW: Is there any question that no one ever asks you that you wish someone would?
SL: No, I think people cover everything.

KW: The Columbus Short question: Are you happy?
SL: I’m super-happy! Of course I have my days, but overall, I feel very blessed, like I’m in a good place in life. I want to continue growing as a person and as an actress, and at the same time I feel very good about where I am. So, yes, I’m happy.

KW: The Tasha Smith question: Are you ever afraid?
SL: Of course, absolutely. Just being a free-lance artist, where you go from job to job, there are times in between where you don’t know how you’re going to pay your bills. Even at my level, you don’t know what’s coming next sometimes, and you just have to have faith.

KW: Bookworm Troy Johnson asks: What was the last book you read?
SL: I’m such a bookworm, too. I just finished reading Water for Elephants by Sara Gruen. And now I’m starting another novel called The Story of Edgar Sawtelle.

KW: Have you ever been disappointed?
SL: [Sarcastically] No. [Laughs] Yeah, I get disappointed, because whenever you’re an ambitious person, you have to dream big and then let God take care of it. The truth is, you’re not the one in control. You gotta let it go. So, of course there are disappointments. But you have to get up, dust yourself off, and keep it moving.  

KW: The Heather Covington question: What music are you listening to right now?
SL: There’s an artist out of England called Adele. Also, I really love Jazmine Sullivan’s single, “Need You Bad.”

KW: The “Realtor to the Stars” Jimmy Bayan question: Where in L.A. do you live, generally speaking?
SL: In Hollywood.

KW: How do you want to be remembered? 
SL: How do I want to be remembered? I don’t know. That question’s too deep for me right now. I’ve been up since 4 A.M. and I don’t want to give you an answer that I’m going to regret. 

KW: Gee, I’m sorry for putting a strain on you.
SL: No, I’m sorry I couldn’t answer all your questions. It’s just that my brain is a little tired.

KW: No need to apologize. You’ve been great.

SL: Thank you, and good luck with everything.

 

To see a trailer for The Family That Preys, visit: http://www.youtube.com/watch?v=EXt-FzVksfM  

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www.disilgold.com- Remember Taraji P. Henson’s stellar role in The Family That Preys? Well, now read the interview!

 Taraji P. Henson      

The Family That Preys Interview

with Kam Williams

www.disilgold.com

 

Headline: Taraji Shares All, Even the Surprising Color of Her Panties

 

            Taraji Penda Henson was born on September 11, 1970 in Washington, DC, where she would one day graduate from Howard University with a degree in Theater Arts. She made her screen debut in Streetwise in 1998, but got her big break a few years later co-starring in Baby Boy opposite Tyrese. Taraji followed that film with critically-acclaimed work in Hustle & Flow and Talk to Me, pictures for which she landed a couple of NAACP Image Award nominations.

            She not only turned in a memorable performance as a pregnant prostitute in Hustle & Flow, but made her singing debut on its soundtrack in “It’s Hard Out Here for a Pimp,” the tune which landed the Oscar as the Best Song of the year.  Ms. Henson has also appeared in Smokin’ Aces, Something New, Four Brothers, Animal and Hair Show, and has upcoming outing on the horizon opposite Forest Whitaker in Hurricane Season, Brad Pitt in The Curious case of Benjamin Button, and Morris Chestnut in Not Easily Broken.

The stunning single-mom was voted to Black Men’s Magazine’s 10 Sexiest Women list in 2001. Here, she talks about her latest picture, The Family That Preys, where she plays Tyler Perry’s wife, Pam.

 

KW: Hi Taraji. It’s been a while since we last spoke, back when you were doing Baby Boy. I remember how seriously you were balancing acting with your responsibilities raising your young son as a single-mom.

TH: Oh my God! A lot has happened since then.

KW: Marcel must almost be a teenager by now.

TH: He’s 14. Can you believe it?

KW: Wow! Time flies. How is he doing?

TH: He’s doing great. I’m a mom first, so I’m making sure he’s getting all the nurturing he needs. He’s a freshman at one of L.A.’s top private schools. After he finishes this program, he’ll be able to go to any school in the country. 

KW: That’s excellent. Congratulations! So, what interested you in playing Pam in The Family That Preys?

TH: I play a lot of edgy characters, and it was refreshing to not have to work so hard. She’s actually kind of funny. That’s what drew me to her, and that she was a regular girl. 

KW: So you weren’t a pregnant prostitute, a lesbian sniper like you were in Smokin’ Aces, or any of the other over-the-top characters you’re known for like Vernell in Talk to Me. 

TH: No. It was great to have a chance to play a regular woman who was actually quite funny. I want to be funny. I’m sick of crying.

KW: How was it playing Tyler Perry’s his wife?

TH: Incredible! That man is something to be reckoned with, a force of nature. It was interesting because I had never worked opposite a director who was also acting in the film. My scenes with him were weird because he was my husband. He’d clear the set, and I’d forget and still be standing there waiting for the director to show up. I’d be like, “Oh my God! You’re the director. Sorry!” So, that was different. But just watching how this man works was like nothing I’ve ever seen in life.   

KW: And how was it working again with Sanaa Lathan?

TH: I didn’t really get to work much with her in Something New. This time we really had a chance to get down together and it was wonderful. That was what I was really looking forward to. She and I are both Virgos, so we’re so much alike, and yet so different. It’s a beautiful combination. I often tell her that if you could combine the both of us together, you’d have the perfect human.

KW: And you both have Swahili names.

TH: My first name means “Hope” and my middle name means “Love.” 

KW: Hers means “Work of Art.” Is it true you’re related to the Arctic explorer Matthew Henson?

TH: Yes, he’s my great-great cousin. He was the brother of my great-great grandfather. Matthew would send him letters about his travels while out on his expeditions. Somebody in the family had all this great correspondence until one day when their apartment was robbed and the letters were lost, probably thrown away like trash.   

KW: What a tragedy. Do you think you get any of your adventurous spirit from your famous ancestor? 

TH: Absolutely! I think I get my survival skills from him, and also my belief that nothing is out of my reach, that I can achieve anything, if I apply myself. I never quit. I think that’s something I was born with from his genes.

KW: Did you get an Oscar when “It’s Hard Out Here for a Pimp” won Best Song?

TH: No, because it went to the songwriters. But Craig Brewer, the scriptwriter and director of Hustle & Flow called me and told me that he wanted me to take it as my quiet victory, because the song was clearly nominated because of the context and how it threaded into a pivotal moment in the movie. So, I feel like I had a lot to do with the song’s success.    

KW: Plus, you performed it onstage on Oscar night. The Columbus Short question: Are you happy?

TH: Absolutely!

KW: The Tasha Smith question: Are you ever afraid?

TH: No, I’m never scared.

KW: What’s been your biggest disappointment?

TH: My biggest disappointment? I haven’t run into it yet?

KW: The “Realtor to the Stars” Jimmy Bayan question: Where in L.A. do you live?

TH: Glendale.

KW: Bookworm Troy Johnson question: What was the last book you read?

TH: Dear Lover: A Woman’s Guide to Men, Sex, and Love’s Deepest Bliss by David Deida.

KW: The music maven Heather Covington question: What music are you listening to right now?

TH: I’m a huge jazz fan, because everything stems from jazz, in my opinion. I have over 6,000 songs on my iPod, but that’s not even my entire collection. I started collecting music in college. I would have to say that John Coltrane’s “A Love Supreme” is my favorite of all time. That and “Kind of Blue” by Miles Davis.

But I just love it all, hip-hop, too, because I was around when it was born. I buy music every week. Depending on my mood, it may be old funk, classic soul, R&B, Nine Inch Nails or punk rock. I’m very versatile when it comes to music.  

KW: Is there any question nobody ever asks you that you that you wish somebody would?

TH: What color underwear am I wearing. [Laughs] No.

KW: Okay, what color underwear are you wearing?

TH: I’m not wearing any. [Laughs] You know what, no, I don’t know. I can’t really think of a question.

KW: How do you want to be remembered?

TH: As one of the greats.

KW: Thanks so much for the time, Taraji, and best of luck with everything.

TH: Thank you. Take care.

 

To see a trailer for The Family That Preys, visit: http://www.youtube.com/watch?v=EXt-FzVksfM   

 Copyright 2008. Disilgold. See full interview at www.disilgold.com

www.disilgold.com- The most disappointing review of movie LAKEVIEW TERRACE w/ Samuel L. Jackson- See it for yourself!

Film Review by Kam Williams

 

Headline: Samuel L. Jackson Stars in Disappointing Outing as Racist Cop

 

This cinematic fiasco rings false from beginning to end, from its patently absurd premise clear through to its unintentionally funny resolution. Unless director Neil LaBute pulled a switcheroo, I’d guess Samuel L. Jackson and Kerry Washington must have known even when they read the script that they had a turkey on their hands, yet they probably decided to sign on the bottom line anyway for one of those take-the-money-and-run paydays.

Get a load of how ridiculous the plot is: Jackson plays Abel “A.T.” Turner, a short-tempered bigot with a very specific prejudice, namely, mixed couples where the man is white and the woman is black. Otherwise, he has plenty of friends of every ethnicity.

Now, on an LAPD cop’s salary, this widower in need of anger management somehow owns a mountaintop home with a view in an upscale section of Los Angeles. At the point of departure, newlyweds Chris (Patrick Wilson) and Lisa Mattson (Washington) buy the house next-door, and wouldn’t you know he’s Caucasian and she’s African-American. Pleasant and attractive, but dumber than dirt, the clueless couple fails to pick up on the fact that A.T. is out to make their lives a living Hell.

Their denseness enables Abel to find meaning in life by secretly torturing them, even though he’s a gainfully-employed, single-dad raising a couple of kids (Regine Nehy and Jaishon Fisher) alone since his wife died three years ago. Nonetheless, the sadist embarks on an ever-escalating reign of terror which includes such Geneva Conventions violations as “accidentally” banging Chris’ hand with a wrench on purpose, training floodlights on his new neighbors’ property, trimming their tress without permission, sabotaging their air conditioner, and hiring a hoodlum (Keith Loneker) to trash their house, to name a few.

But no matter how devious or cruel A.T. gets, the Stepford-like Mattsons merely question themselves rather than suspect that their many misfortunes might be the work of a racist psycho. So, in between Abel’s dastardly deeds, they keep accepting his social invitations, even sometimes apologizing, when they’ve done nothing wrong.

Protagonists this dumb don’t deserve an audience’s sympathy, especially when they recycle lame Rodney King poster-speak like “Can’t we all just get along?” This has the unfortunate effect of turning the movie into a comedy prior to the denouement confessional during which they belatedly wise up.

You don’t have to be a Biblical scholar to figure out what happens to Abel next, although investing your hard-earned cash and a couple of hours in a molasses-paced picture this pathetic is likely to leave you raising Cain.

            10 Worst List bad.

 

Poor (0 stars)

Rated PG-13 for sexuality, profanity, mature themes, violence and drug references

Running time: 110 minutes

Studio: Screen Gems

 

To see a trailer of Lakeview Terrace, visit:

http://www.youtube.com/watch?v=RigUfNqmH_c&feature=pyv

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www.disilgold.com- Sex Drive Movie Review

Sex Drive

                                    Film Review by Kam Williams

 

Headline: Desperate Virgin Chases Internet Fantasy in Raunchy Road Comedy

 

            Ian Lafferty (Josh Zuckerman) is your prototypical high school grad with one mission in life: to lose his virginity before heading off to college in the fall. But the 18 year-old nerd’s prospects of quenching his raging hormones aren’t that great for several reasons.

First of all, he’s socially awkward and gets tongue-tied around girls, especially Felicia (Amanda Crew), the cute co-worker he has a big crush on. Trouble is she only sees him as a nice guy she can confide in about her own boy problems.

Secondly, Ian’s job as the mascot of a convenience store called Senor Donut tends to get in the way, since he spends most of the day walking around the mall disguised as a giant piece of pastry under a big sombrero. Needless to say, that look isn’t exactly a chick magnet, in fact, the only attention he attracts is from mischievous kids out to embarrass him by secretly attaching sex toys to his costume.

Things aren’t any better for Ian at home, where he’s mercilessly teased for possibly being gay by his older brother, Rex (James Marsden), a macho stud with a classic Pontiac GTO from 1969. And to add insult to injury, even his 14 year-old brother (Cole Peterson) is already having better luck with the ladies.  Consequently, it’s no surprise that Ian spends most of his time in his bedroom, trolling internet chat rooms in search of a date.

This loser’s fate seems to change the day he meets “Ms. Tasty” online, a blonde temptress who’s very impressed by his embellished bio and computer-enhanced photos. She promises to make it worth his while if he shows up in Knoxville behind the wheel of the muscle car he claims to drive. So, Ian “borrows” his brother’s GTO without permission, and sets out for Tennessee from Chicago accompanied by Felicia and his best friend, Lance (Clark Duke), for the 1,000-mile road trip of a lifetime.

Sometimes, getting there is all he fun, and this is the case with Sex Drive, easily the funniest teensploit of 2008 so far. Loosely based on the novel “All the Way” by Andy Behrens, the screen version is a rather raunchy adventure reminiscent not only of Judd Apatow’s recent offerings but also of such shock genre staples as The 40 Year-Old Virgin, Road Trip, American Pie, There’s Something about Mary and The Sure Thing.

 En route to Ian’s romantic rendezvous with Ms. Tasty, our hardy trio has hilarious encounters at every turn, whether with a homeless hitchhiker, kinky trailer trash, trigger-happy cops or wayward Amish. Brace yourself for outrageous fare ranging from politically-incorrect epithets to explicit dialogue to scatological humor to male and female frontal nudity. Yet, underneath all the scummy hijinks, there’s a redeeming message about true love waiting to be revealed, allowing for a sweet sendoff which manages to make Sex Drive something that’s very special in the end.

 

Excellent (4 stars)

Rated R for crude humor, profanity, sexuality, nudity, and drug and alcohol use, all involving teens. 

Running time: 109 minutes

Studio: Summit Entertainment

 

To see a trailer of Sex Drive, visit: http://www.summit-ent.com/sexdrive-trailer.php?subj=3&sel_page=4&show_trailer=1

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www.disilgold.com- Omar Benson Interview- The Gentle Giant from Miracle of St. Anna

Omar Benson Miller

 The Express & Miracle at St. Anna Interview

with Kam Williams

www.disilgold.com

 

Headline: It’s Miller Time!

 

            Born on October 7, 1978, Los Angeles native Omar Benson Miller started acting professionally while attending San Jose State University, where he majored in Radio, Television Film and Theater Arts with a minor in African-American Studies. The 6’ 6” gentle giant made his screen debut in the Walt Disney drag comedy Sorority Boys.

            Upon completing work on his bachelor’s degree, he landed a lead role in Eminem’s semi-autobiographical bio-pic 8 Mile. He has since appeared in over a dozen movies, most notably opposite 50-Cent in Get Rich or Die Tryin’, Halle Berry and in Things We Lost in the Fire, Richard Gere and J-Lo in Shall We Dance, and Drew Barrymore and Robert Duvall in Lucky You. 

He’s even tried his hand at writing, directing and producing, making Gordon Glass, a low-budget family comedy in which he handled the title role.   On television, Omar has been on such shows as The West Wing, Law & Order and Sex Love & Secrets.

Here, the versatile young talent talks about his two pictures currently in theaters, The Express & Spike Lee’s Miracle at St. Anna.

 

KW: Hey Omar, thanks for the time.

OM: Yeah. No doubt! How’re you doing?

KW: Fine, and you?

OM: I’m good.

KW: What interested you in playing Sam Train in Miracle at St. Anna?

OM: What didn’t interest me in playing Sam Train? He’s like a superhero, except in real life. I had read the book when it initially came out, and I felt, “Wow! This is exactly something I’d like to do.” And then the opportunity came up while we were shooting The Express. I got this text message saying Spike Lee was doing a World War II drama and, yeah man, I did everything I could to get in front of that guy. And he picked me. He said, “I want you to do it.” Then he put me on this tight regimen where I had to lose about 50 pounds in 9 weeks.      

KW: Whoa!

OM: If you see both movies, you’ll see I’m a blubberous lineman in The Express, and a much less blubbery soldier in Miracle at St. Anna. What’s interesting is that both these films tell stories that needed to be told, in my opinion, because you never learn anything in school or during Black History month about the Buffalo Soldiers or the African-American military campaign during World War II.

KW: I agree. And what attracted you to the role of Rob Brown’s buddy Jack in The Express?

OM: When I read that book, I was embarrassed that I had never heard of Ernie Davis, although I knew about Jim Brown, Floyd Little and the Syracuse University legacy. And the more research that I did, watching film and reading about him, the more intrigued I became. I realized he was a humanitarian and an American hero whose story deserved to be told. And I think it’s going to inspire millions, because people are going to see this film and love it. I’ve seen it with audiences four or five times and not once has it gotten a bad response. People love this movie.

KW: Did you have an interest in acting as a child?

OM: No, none whatsoever. I played sports. The acting thing was just a direct blessing from the Lord, because I lost my discipline to play sports, and I had this really cool professor grab me and kind of take me under his wing, and the ball just started rolling. Another professor introduced me to my first agent, and the next thing you know, I got to start doing films. It was great!

KW: What would you say was your big break, 8 Mile?

OM: Without question. After 8 Mile came out and blew up, the ball has been rolling ever since.

KW: At 6’ 6” tall, what types of roles are you looking for?

OM: The type that aren’t specifically written for guys who are 6’ 6”. Normally, I try to stay away from playing security guard type characters, the stereotypical, big man fare. And I’ve been pretty blessed, man, and successful at getting out of the box.

KW: Bookworm Troy Johnson wants to know, what was the last book you read?

OM: The most memorable book I read recently was Christ the Lord: Out of Egypt by Anne Rice. It was a departure for her from her normal evil vampire type fare. This book delved into the possibilities of what it might have been like to watch Jesus as a child. It was very interesting.

KW: What did you think of the job James McBride did in adapting Miracle at St. Anna, having read the book?

OM: Spike’s vision for the film definitely burst out of the beauty of the book. But I think it’s a different animal. It’s tricky, because it’s very difficult to jam a novel like that into two and a half hours.

KW: Do you think it helped in this case that the author also wrote the screenplay.

OM: Without question. From what I understand, he and Spike would go through it together ten pages at a time.

KW: “Realtor to the Stars” Jimmy Bayan asks: Where in L.A. do you live?

OM: I live in Glendale now. It’s actually a really nice community. I hadn’t been hip to it. I just stumbled upon it by accident because a buddy of mine needed me to pick him up out there. And I was like, “Gee, this is nice.” Around the same time, I was blessed enough to be able to buy a house, so I moved over there.

KW: Where in L.A. did you grow up? 

OM: Before I left to go to college, I was living in Orange County, Anaheim Hills. And prior to that I was in Long Beach. That’s where I spent most of my childhood and where my mother and brothers are now.

KW: Music maven Heather Covington is curious about what music you’re listening to nowadays? 

OM: I’m listening to the new Beck, Modern Guilt, and to a buddy of mine named Johnny Fair who sings soul, R&B. And I’ve been listening to that Citizen Cope album. I can’t wait for his new one to come out. He’s more of an independent, undergroundy kind of guy.

KW: The Tasha Smith question: Are you ever afraid?

OM: Of course.

KW: The Columbus Short question: Are you happy?

OM: I’m joyous! And that’s more important, because happiness is fleeting.

KW: Is there a question no one ever asks you, that you wish someone would?

OM: [Laughs] No, you guys are pretty thorough.

KW: What message do you hope people will take away from The Express?

OM: I hope they come away with the inspiration that you can overcome any obstacles in your path. Ernie Davis had the cards stacked against him completely, yet he was able to accomplish great things through perseverance, courage, diligence and his own grounding though his family and his faith. I sincerely hope the film challenges people to take an introspective look at their lives and see how they fit into the world at large, and see what kinds of positive changes they can make, because in researching for this film we didn’t find one person who had met Ernie who hadn’t been positively influenced by him. Not one. And I think this comes out on the screen. So, even in death, he was still triumphant. That’s admirable. 

KW: How do you want to be remembered.

OM: As a righteous dude!

KW: Thanks again for the interview, Omar. I appreciate the time and I’m expecting bigger things from you in the future.

OM: Hey, I appreciate that.

 

To see a trailer for The Express, visit: http://www.theexpressmovie.com/site.html#/videos/1/1/

 

To see a trailer for Miracle at St. Anna, visit:

http://www.youtube.com/watch?v=zXMVLN5rqpA

 

Copyright 2008. Disilgold. Visit www.disilgold.com for full interview.

www.Disilgold.com- The Secret Life of Bees- Carolina Provides Scenic Rural Backdrop for Female Empowerment Flick Set during Civil Rights Era

The Secret Life of Bees

Film Review by Kam Williams

www.disilgold.com

 

            Lily Owens (Dakota Fanning) has been troubled since the age of 4 when she accidentally shot her mother (Hilarie Burton) to death. Her parents had been in the midst of a violent argument at the time, and the little girl was too young to understand the consequences of her innocent attempt to intervene with the pistol that had fallen right in front of her.

            Unfortunately, her father T. Ray’s (Paul Bettany) subsequent unwillingness to talk about the incident has only left Lily so confused that she grew up blaming herself for the tragedy. Everything comes to a head on her 14th birthday, when the only present she asks him for is the truth about whether the mother she resembles but only vaguely remembers really loved her. When her alcoholic dad’s response is to punish her for even broaching the subject, she finds comfort crying on the lap of her nanny, Rosaleen (Jennifer Hudson).

Not long thereafter, Rosaleen is beaten to a pulp for trying to register to vote, for she is African-American and this is South Carolina in the Sixties, during the waning days of Jim Crow segregation. Then, after T. Ray sides with the whites seeking to keep blacks in their place, Lily calls her father a coward and talks Rosaleen into running away to the town of Tiburon, the only clue she has of a link to her mother’s past.

Once there, it’s not long before the pair find themselves deposited off the beaten track in front of the Pepto Bismol-colored home of the eccentric Boatwright sisters: simple-minded May (Sophie Okonedo), cello savant June (Alicia Keys) and family matriarch August (Queen Latifah). The beekeeping siblings run a thriving business bottling a popular brand of honey called Black Madonna. 

Lily and Rosaleen find themselves welcomed with open arms, and nourished by a supportive environment neither has experience before. More importantly, the spiritual oasis is able to answers the questions long nagging Lily like who her mother was and what could possibly have been her connection to this modest farm.

So unfolds The Secret Life of Bees, an optimistic tale of female empowerment set against the backdrop the Civil Rights Movement. The film is based on the semi-autobiographical novel by Sue Mark Kidd, a white woman who grew up in the South surrounded by black women and bees. As adapted to the screen by director Gina Prince-Blythewood (Love & Basketball), the story explores a treasure trove of themes ranging from racism to religion to sisterhood to loneliness to love and loss of innocence. But mostly Bees is about the individual urge for self-fulfillment, whether that be found in May’s constructing a Wailing Wall for her late twin, April; in June’s declining the proposal of an ardent admirer (Nate Parker) in order to pursue her dreams of a musical career; Lily’s daring to date a black boy (Tristan Wilds), or in Rosaleen’s determination to exercise her right to vote for the first time.  

Heavily-laden with both symbolism and spiritualism, the picture relies on an array of evocative images such as queen bees and the Virgin Mary to deliver a series of subtle, yet very effective feminist messages. Particularly powerful is the silent scene where a piece of paper stuck in May’s wall of woe is unfolded to reveal a prayer for the four little girls blown up in a Birmingham church by the Ku Klux Klan.

Smart and sentimental but not syrupy, with a well-executed script guaranteed to leave you in tears.

 

Excellent (4 stars)

Rated PG-13 for violence, mild epithets, ethnic slurs and mature themes. 

Running time: 110 minutes

Studio: Fox Searchlight

=

 

www.disilgold.com The Rev. Al Sharpton Interview

Reverend Al Sharpton

            The Murder in Black and White Interview

with Kam Williams

www.disilgold.com

            Alfred Charles Sharpton, Jr. was born in Brooklyn, NY on October 3, 1954 to Ada and Alfred, Sr., a descendant of slaves owned by the ancestors of segregationist U.S. Senator Strom Thurmond. Called to the ministry at an early age, young Al started preaching at the age of 4, was ordained at 9, and went on tour as a child with gospel singer Mahalia Jackson.

             In 1971, he took a job as James Brown’s tour manager, forging an enduring friendship with the “Hardest Working Man in Show Business.” Rev Al took that work ethic with him when he decided to dedicate his life to civil rights activism. A tireless advocate of the poor and underprivileged, he founded the Harlem-based National Action Network, an organization aimed at alleviating social injustice.

            Al’s most recent cause, lobbying the Supreme Court on behalf of the Death Row inmate Troy Davis, resulted in an 11th hour stay of execution. Here, he reflects not only on that triumph, but on everything from his voter registration drive to Barack Obama to the Amadou Diallo and Sean Bell cases. Plus, he talks about his new television show, Murder in Black and White, directed by documentary filmmaker Keith Beauchamp, which is set to premiere on Sunday October 5th, with episodes airing on four consecutive evenings at 10 PM EST on TV One Network. (Check local listings)

 

KW: Hey, Reverend Sharpton, thanks for the time. I’m honored to be speaking with you.

AS: No problem.

KW: Congratulations on the Troy Davis stay of execution.

AS: Thank you.

KW: What will you be working on next?

AS: Well, the National Action Network is working on several things. Following up on the Troy Davis case… I’ve also been doing a national bus tour doing voter registration and voter protection rallies. We did Kansas City, Missouri, three cities in North Carolina, and Philadelphia, a city a day last week. This coming week, I’m doing Charlotte, Cleveland and Prince George County in Maryland. So, we’re all over the country.  

KW: You were on the fence about the election for awhile. Have you come out in support of a presidential candidate yet?

AS: Yeah, I’m supporting Senator Obama, but the National Action Network tour is non-partisan. You can’t do voter registration and be partisan. But I’ve personally endorsed Barack Obama,  

KW: What did you think of the first presidential debate?

AS: I thought it went well. I thought Senator Obama held his own. 

KW: Let’s talk about your new TV show. What interested you in hosting Murder in Black and White?

AS: A lot of people know the story of Emmett Till. A lot of people know about Medgar Evers. But many don’t understand that there were many other lynchings. These were the prices that were paid for folks like me, and Obama, and [New York State Governor] David Patterson, and [Massachusetts Governor] Deval Patrick to do what we do. I think that by bringing these cases to light, it gives people an understanding of the culture of racial violence, as well as the fact that some of these cases are still unsolved. So, it’s a matter of teaching history in a dramatic way, because this is not the kind of documentary series that puts you to sleep. It’s been done very well. It’s not only riveting but it reminds you that we’re just a generation or two away from lynchings, and that some of the perpetrators are still alive and at large. 

KW: I was born in 1952 and raised in the North, but my parents subscribed to black papers like the Pittsburgh Courier which covered all the lynchings and mysterious disappearances in the South ignored by the mainstream press. So, I grew up with a sense that there was a different energy and danger for black folks in the South. 

AS: Exactly right. And I was born in ’54 and raised in the North, but I would hear horror stories from my mother. I know what it did for me, a generation removed, to now see it in these episodes. I hope it touches the generation behind me and others, so they can understand the gravity of what the Civil Rights Movement and challenging Jim Crow segregation was all about.  

KW: What do you think is the best way for the elders of the Civil Rights Movement to come together with members of the Hip-Hop Generation?

AS: I think in many ways, because of the major media, we’re not looking at this correctly. You have the elders of the Civil Rights Generation, the Joe Lowery to Jesse Jackson group. But then you have a group in between those generations, which includes Martin Luther King III, myself and others in their 40s and 50s. Barack is in this generation. Then you have the Hip-Hop Generation. See, I think the white media acts like we went straight from 1960 to 2008. That’s not true. Those in that middle generation that I’m in understand the elders because we were raised by them. And we understand some of the younger people because they’re our little sisters and brothers. The way we come together is on the civil rights and human rights issues. The other thing the media has done wrongly is confuse hip-hop activism, the term you used in the question, with hip-hop entertainers. The leaders of the Hip-Hop Generation in terms of activism are the students who worked with us on the Martin Lee Anderson case in Florida, the Jena Six case in Louisiana, or the Genarlow Wilson case in Georgia. They’re not the hip-hop artists doing shows and talking about how they want to be new leaders when they’re not involved in any activism, any more than The Temptations and The Supremes led the Selma march, or Luther Vandross led the Amadou Diallo march. I think the white media has very cynically tried to act like the leaders of the Hip-Hop Generation are the entertainers, and not credit the student leaders and others who have become activists and are acting with my generation and with the elders.        

KW: Do you feel the same way about civil disobedience as a tactic in cases where cops kill innocent black men after the police were found not guilty in both the Amadou Diallo and Sean Bell cases?

AS: First of all, in the case of Amadou Diallo, we did civil disobedience prior to the indictments. That’s how we got the indictments. There was no civil disobedience after the verdict. Yes, it was effective in that case, because we wouldn’t have even gotten any indictments without it. And we used the same tactic with the Abner Louima case, which we won. With Sean Bell, we used civil disobedience afterwards, but the jury is still out on whether the Feds will come in. But you gotta remember, from the Howard Beach case, where people went to jail, to Bensonhurst case, where people went to jail, to Abner Louima to Jena, where we got Mychal Bell out of jail, you have wins and losses. Dr. King lost in Albany, Georgia, but won in Selma. Yeah, we lost Diallo, but look at all the others that we won. Not only is the tactic effective, but these would not be issues had we not performed civil disobedience. Part of activism lies in bringing attention to the issues, so that legislators and others have to respond. For example, we used civil disobedience and marching to dramatize the New Jersey 4 case. Well, that put the first profiling law on the books. Had it not been for our activism, profiling would not be part of American jurisprudence. Out of that came racial profiling legislation, including what Barack did in Illinois. If you remove all the protests, tell me if they’d even be addressing the issue of police brutality and racial profiling. There have been plenty of people martyred, but unfortunately the only ones you can name are the ones there have been movements around. Dr. King in his day never passed legislation. He demonstrated civil disobedience that led Adam Clayton Powell and others in Congress to pass legislation, and Thurgood Marshall making new law in the courts. We are trying to do in our day what King did. I think some people are confused about the process.     

KW: What did you think about Jesse Jackson’s off-camera comments about Barack Obama’s Father’s Day speech? 

AS: I thought he was wrong and I was very public in my criticism. I went on CNN and Fox. I have a lot of respect for Reverend Jackson, but he was wrong, and I couldn’t justify his comments. I think that what Barack said about black men that day needed to be said. Barack was correct, Bill Cosby’s been correct. I didn’t agree that Barack was talking down to blacks. And you cannot use the N-word, when you’ve been protesting its use. You must be consistent. Reverend Jackson was dead wrong in this case, but that won’t be his legacy. 

KW: In 1991, someone tried to assassinate you because of your marching in Bensonhurst. Why did you ask for clemency of the racist who tried to kill you when if his knife had been an inch or so over, you would have died on the spot?

AS: My proposition was that this young man was troubled, and that this young man should be extended the same mercy that I ask for troubled people in my own community. Yeah, he almost killed me. It was the hardest thing in the world for me to ask for clemency for him, but I did it because I was trying to be consistent. It’s always interesting to me, that when people recount my story, especially the white media, they always bring up Tawana Brawley, do they will rarely bring up the fact that I forgave a white man for trying to kill me. And I not only went to court and asked the judge for clemency, but I visited him in jail. That doesn’t fit the mainstream media’s stereotypical picture of an angry black man who doesn’t like white folks.

KW: What’s it like to live your life in the public eye 24/7, and to have constant requests for help in terms of discrimination or oppression?

AS: It becomes burdensome at times, but it’s the life I’ve chosen. It’s what I felt I was called to do, and I do it. I don’t think I could do anything else. When I was younger, I was very close to James Brown, and I tried for a time to be involved with entertainment, but I couldn’t do it. People have to find their passion in life, and social activism is my passion. And I think in this era we need that kind of force which will continue to expose what’s wrong so that legislators will be challenged to change the laws. If you don’t have that, the laws won’t change on their own. Which is why people call us. Sean Bell’s 22 year-old wife to be, Nicole, called us because she felt that we would make the world know what happened. And we did, because that’s what we do. Absent somebody dramatizing a case and making it public, politicians are not going to deal with it.

KW: You mentioned James Brown. When I was a kid, I lived a couple of blocks from him in St. Albans. Did you know him when he had that house on Linden Boulevard?

AS: No, I was a kid then, too. I got to know him after he had already moved back to Augusta, Georgia. I got close to him when his son, Teddy, a student who had joined my national youth movement in New York, was killed in a car accident.  

KW: What would you say has been your greatest accomplishment to date?

AS: Being able, in this generation, to build a consistent movement that has been effective at raising public awareness about the remaining inequities in society. No one can deny that we’ve been successful in making racial profiling, police misconduct, and now, education reform, national issues. And without us, it wouldn’t have been that effective. We’ve remained on the cutting edge of making the conversation deal with the issues of inequality that had been taken off the table. If the generation behind us loses a dedication to raising public awareness, you will end up going backwards in terms of racial progress.  

KW: What do you think sank the Diallo case?

AS: Once Johnnie Cochran was no longer on the case, it is my belief that the PBA, District Attorney Robert Johnson and others used that period of time as an opening to abuse the law, to come up with a scheme for the change of venue which I feel led to an injustice for the Diallo family and the community. I think that by the time the new attorneys got in place, D.A. Johnson, the PBA and one of the defendants’ attorneys, which was former Judge Burton Roberts, they had already made their deal, and I believe that that is what led to the injustice.” 

 

KW: How do you think an Obama presidency might change race relations in America?

AS: I think it could make things better, but again, and you know Senator Obama and I have a good relationship, there will still be those on the outside pushing the envelope. I think it’s unfair to have unrealistic expectations of Obama. As he always says, “I’m going to need you all to raise issues to get my attention,” because it’ll be competing with every other constituency. He can’t look like he’s going to the White House as a crusader for black people. So, there must be an ongoing movement for him to respond to. So, I think he’s the best choice for the country, but he’s by no means a panacea. 

KW: You ran for president just four years ago. Were you surprised by Obama’s success at landing the Democratic nomination?

AS: Not at all. My campaign and his were totally different. I ran in the tradition of a Jesse Jackson, to raise issues. He ran to win, in the tradition of an Ed Brooke or a Doug Wilder. We helped change the tone. But you can’t compare our approaches. I think we do different things that hopefully complement each other. 

KW: How do you feel about shaking things up, but not necessarily sharing the spotlight in victory?

AS: We do it all the time. Believe me, we fight a lot more cases than people hear about. I’ll give you an example. When I went down to Georgia for the Troy Davis case. I’d spoken about it for a year on my syndicated radio show. They were the ones who asked me to come out stronger on his behalf. Many times, the victims want us to bring the spotlight, because they can’t get any attention. Yet, people say, “Oh, there’s Sharpton out there again,” but that’s the point. Nobody calls you in to hide their issue. The publicity is exactly what they want. The point is, there have been a lot of other victims. The question is, why haven’t we heard about them? And if the National Action Network has created the infrastructure to get the spotlight, then why are you begrudging us that, unless you don’t really want those issues exposed, or unless you’re envious and you want the spotlight yourself. In that case, you should do the work. Believe me, the end of the work is the spotlight.       

KW: Did you feel that the Clinton campaign started “racializing” the campaign in January when they tried to pigeonhole Obama as the black candidate?

AS: Absolutely. I think it was very subtle on some levels, and very blatant on others. And I very publicly criticized it at the time.

KW: The Tasha Smith question: Are you ever afraid?

AS: No. When I came terms with death in ‘91, I got passed fear. The only thing I fear now is that we won’t get all the work done before I die. I’m not afraid to die. I’m going to die. Death is certain. Living is uncertain. Once you have a close brush with death, you make up your mind. I could’ve walked away then to build a big church, and still had my place in history. But I believe in what I’m doing, and I’ve come to terms with the fact that it might cost me my life, and I’ve been doing it ever since.  

KW: The Columbus Short question: Are you happy?

AS: As happy as I could be!

KW: Bookworm Troy Johnson’s question: What was the last book you read?

AS: In fact, I’m reading a book right now by Jonathan Rieder called The Word of the Lord is upon Me: The Righteous Performance of Dr. Martin Luther King, Jr. I would highly recommend it because the author is very good.

KW: Is there a question no one ever asks you, that you wish someone would?

AS: No, I’ve been asked just about everything I need to be asked.

KW: The music maven Heather Covington question: What’s music are you listening to nowadays? 

AS: I listen to Gospel and a lot of R&B. On my iPod there’s a lot of James Brown and Gospel. I love the song “I Never Would Have Made It.”

KW: How long are you going to keep your hairstyle?

AS: As long as I live. That’s part of my personal bond with James Brown. You know James asked me to do that. 

KW: Have you ever seen that duet of James Brown with Pavarotti doing It’s a Man’s World? [http://www.youtube.com/watch?v=VCIyzNISw1Q]   

AS: Yeah, I remember when he did it. It was very moving.

KW: You lost a lot of weight fasting while serving three months in jail for civil disobedience on Vieques, and kept it off.   

AS: Yes, and that was another victory. You know, we did close that U.S. Naval base in the end.

KW: How do you feel about Congressman Rangel’s recent legal woes?

AS: Clearly he has some things to correct, but I thought it was overblown. Come on, the kind of attention the press paid to that over what were relatively small amounts of money, you have read a political agenda into it.  

KW: How do you want to be remembered?

AS: I want to be remembered as the guy in his generation who helped keep the social justice movement going. I will not sit in the chamber of power, but be the person on the outside challenging the system. Somebody has to play that role in every generation, and I want to be remembered as being comfortable playing that role in mine.

KW: Well, thanks again for the time, Reverend Al. No justice, no peace.   

AS: Take care, man, Bye-bye.

 

To see a video of Rev Al Sharpton in action, visit: http://www.youtube.com/watch?v=TUi6IYDBbZY

www.disilgold.com- The Tyler Perry Interview

 

                        Tyler Perry                 

The Family That Preys Interview

with Kam Williams

 

Headline: A Visit to Tyler Perry’s House of Perry

 

Tyler Perry’s path from the perilous streets of New Orleans to the heights of Hollywood is a unique and inspiring version of the American Dream. Born into poverty and raised in a household scarred by abuse, from a young age he found a way to summon the strength, faith and perseverance that would later form the foundation of his award-winning plays, films, books and TV show, House of Payne.

            Tyler credits a simple piece of advice from Oprah Winfrey for setting his meteoric rise in motion. Encouraged to keep a diary of his daily thoughts and experiences, he began writing a series of soul-searching letters to himself — reflections full of pain, forgiveness and, in time, a healing catharsis. Along the way, he spent a challenging period homeless, sleeping in seedy motels and in his car, but his faith in God and, in turn, in himself, only got stronger. Forging a powerful relationship with the church, he kept writing until his perseverance paid off, and the rest is history.

            Here, the prolific and versatile Renaissance Man shares his thoughts about his latest production, The Family That Preys, a movie which he wrote, produced, directed and co-stars in.

 

KW: Hey Tyler, thanks so much for the time.

TP: Hi Kam, good to talk to you again.

KW: Where did you get the idea for The Family That Preys?

TP: I was just going through some things in my life I was having issues with. This newfound fame was really starting to smother me, and somebody asked me, are you living or just existing? I thought “Wow!” and I started writing, and this film came out of that. At the time I heard Lee Ann Womack singing of “I Hope You Dance” and it really touched me. When you watch the movie, towards the end you’ll see a Gladys Knight remake of the song at the moment that the film takes on the personality of, “Live! Life is short! Live every day like it’s your last.”

KW: I love your work, and admire all that you’ve accomplished which always makes me wonder how your brain works differently from the rest of ours.

TP: You know what I think it is? I just may be a little bit more inquisitive. For example, when someone tells me “No,” I ask “Why?” like I did with House of Payne which will be going into syndication on the 22nd of September. Originally, they told me that I had to shoot one show a week, because that’s how it’s done in Hollywood. But when I questioned that, nobody could tell me why. The same thing happened when they told me you could only shoot one movie per year. When I asked “Why?” nobody could give me an answer. So, I believe it’s the inquisitiveness which breeds everything else that comes along with it. I just ask a lot of questions.

KW: Do you see The Family That Preys as being more of a mainstream movie, or do you see it as appealing to your regular demographic?

TP: I think it’s definitely going to appeal to my same audience. But do you know what I was doing? I was just telling a story. When I imagined the first two characters, I saw Alfre Woodard and Kathy Bates. And then when I started developing their relationships, all these kids came out of it. So, I didn’t set out to go mainstream with this film. That wasn’t my intention. This is just me telling a story.  

KW: We recently passed the third anniversary of Hurricane Katrina. Have you had an opportunity to go back to your hometown, New Orleans, lately to check on the progress of the recovery?

TP: I have, and nothing’s changed. Nothing’s changed. The only thing different is that people are being evicted from those FEMA trailers. 

KW: Is there any question that no one ever asks you that you wish someone would?

TP: Yeah, “Can I pay for dinner?” Nobody ever asks me that.

KW: The Tasha Smith question: Are you ever afraid?

TP: Certainly, there are times when I feel fear, but I don’t live in it. I think as human beings we all feel fear, but I refuse to live in it. So, it doesn’t last very long.

KW: Have you ever been disappointed.

TP: Certainly, I’ve been disappointed a lot. But you take your disappointments and you learn from them. If you learn a lesson from them, then you’re okay, because as long as you’re human there will be disappointments.

KW: The Columbus Short question: Are you happy?

TP: Yeah, I can honestly say I’m truly, truly, dancing and living my life. And I think this film was my catharsis to getting there.

KW: Bookworm Troy Johnson asks: What was the last book you read?

TP: I haven’t read a book in a very, very long time, because when I’m writing I don’t like to see other people’s work. I don’t want to see something great and not be able to use it, and I don’t want to have any subconscious influences. So, it’s been an extremely long time. I think the last book I read might have been Maya Angelou’s Hallelujah!

KW: Music maven Heather Covington asks: What are you listening to nowadays?

TP: Everything from Lee Ann Womack to Jay-Z’s 30’s the new 20.

KW: Who are you supporting for president?

TP: Barack. Absolutely Barack!

KW: How do you want to be remembered?

TP: As a person who made people laugh, but inspired us all to be better.

KW: What message do you want people to get from The Family That Preys?

TP: That everyday is a gift. Life is short, so live it like it’s your last.

KW: Well, thanks again for the interview, and good luck with the film.

TP: Thank you, my friend, and I’ll talk to you soon.

 

 

To see a trailer for The Family That Preys, visit: http://www.youtube.com/watch?v=EXt-FzVksfM   

 

Copyright 2008. Disilgold.View full interview at www.disilgold.com.

www.disilgold.com- The Spike Lee Interview: On the Makings of Miracle of St. Anna

 THE SPIKE LEE INTERVIEW

w/Kam Williams

www.disilgold.com

KW: What interested you in making Miracle at St. Anna?

SL: Reading the original source, James McBride’s novel. The man’s a great writer. That’s what drew me to the project. 

KW: How was it filming on location in Europe for the first time?

SL: It was a great experience. Practically this whole film was shot in Italy. I’d love to shoot over there again soon, maybe not in Italy, but somewhere else.  

KW: What was the most challenging aspect of shooting?

SL: Tuscany is one of the most beautiful places on Earth, and you have to hike that equipment up the mountains and hills to get those shots. But that’s just part of the job. I would love to make another movie there. The light there is wonderful. You can not get that on the back lot in a studio. The small village the soldiers stumble into is 800 years-old. Where we able to shoot at a lot of locations where actual incidents took place, like the massacre. I think it adds something for both the cast and crew when they know they’re standing on the same exact spots as the scenes they’re recreating.   

KW: How was it collaborating with James McBride, who also wrote the script?

SL: It was a great working experience, and I think that he would say the same thing. We had disagreements, but we respected each other’s opinion, since we both wanted what was best for the film.

KW: Mr. McBride says Miracle at St. Anna is fiction inspired by real events. Can you tell me some of things in the story that are real? 

SL: Well, the 92nd Division, the Buffalo soldiers, they did fight in Tuscany against the Nazis. The massacre in St. Anna di Stazzema on August 12, 1944 where the Nazis’ 16th Division of the SS slaughtered 560 innocent Italian civilians really happened. The statue head, that’s real, too.

KW: Would you say Miracle at St. Anna is more than a war movie?

SL: This film is definitely more than just a war film. Of all the movies I’ve done, this one, by far, has more discussions of religion, faith and hope. That reflects James McBride‘s novel which is all about hope, faith, prayer, belief and God.

KW: What do you expect people to take away from this movie?

SL: I’m not in the business of telling audiences what to think. I respect their intelligence, and they’ll make up their on minds about what they think.

KW: During World War II, America’s armed forces were segregated and the Department of Defense directed embedded cameramen not to film African-American GI’s in action. And no blacks were subsequently featured in any of the early war films from the Forties and Fifties, and none were awarded the Congressional Medal of Honor for bravery in World War II until Bill Clinton belatedly corrected the glaring oversight during his presidency. Was your purpose in making this movie an attempt to rectify the deliberately whitewashed version of history? 

SL: Well, that was part of it, because at the time these black men were fighting for the United States, the Army was still segregated. And they not only fought the Fascists and the Nazis for the Red, White and Blue, but they had to fight Jim Crow down South once they got home. But the whole movie isn’t about the Buffalo Soldiers. We spent a great deal of time with the Italians, too, and the story is framed within a murder mystery. But nonetheless, there’s been a great omission here, and the surviving Buffalo Soldiers I’ve spoken to are elated that we’re doing this film.

KW: NYU History Professor Yvonne Latty urged Clint Eastwood, even before he began production on Flags of Our Fathers, to include black soldiers in the film since somewhere between 700 and 900 African-Americans had fought on Iwo Jima. She even sent him a copy of her book about these forever unsung heroes, but to no avail. Is this the basis of your ongoing beef about the movie with Eastwood?

SL: I’m glad you’re saying that, because it needs to be known that there were people saying stuff to Clint even before he shot the film. So, this stuff is on record. I was not the first one to voice those sentiments.

KW: As far as I can tell, you’re the only film director who individually credits every musician who plays on his soundtrack. Why do you do that?

SL: Because I grew up in a jazz household, my father [Bill Lee] is a great jazz bassist, and I value the contributions of the musicians and the composer. My father did the scores for my movies in film school, and for She’s Gotta Have It, School Daze, Do the Right Thing and Mo’ Better Blues. And Terence Blanchard did all the scores for my films since. Musicians are great artists. In my opinion, I think they’re the greatest artists. If somebody gets credit for pushing a dolly or holding a boom mike, why should someone who’s playing the violin, the bass, the trumpet, the French horn or the oboe not get credit too? They contributed as much as anybody else. That’s why I give musicians credit in my films.   

KW: I appreciate that, being from St. Albans, which was an enclave of black musicians when I was growing up in the Fifties and Sixties. 

SL: Yeah, I know it had James Brown… Count Basie… and my man Milt Hinton.

KW: Count Basie lived up the block. We used to swim in his pool as kids. You know who else lived in St. Albans? Coltrane, Billie Holiday, Ella Fitzgerald, Oliver Nelson, Lena Horne and Illinois Jacquet to name a few off the top of my head. But it was first integrated by Jackie Robinson, along with baseball. Speaking of sports, how do you think the Knicks will do this season?

SL: Well, I hope we have a winning record. [Laughs] Notice I said “hope.”

KW: Where in Brooklyn did you grow up?

SL: We were the first family to move into Cobble Hill, which at the time was primarily an Italian neighborhood. Cobble Hill is right by the Brooklyn docks, and almost all the people that worked the docks were Italian back then when the waterfront was alive and thriving. Funny thing, we got called “nigger” a couple of times, when we first moved in, until they saw that there weren’t anymore black families moving in behind us. We never had any more incidents after that. 

KW: The Columbus Short question: Are you happy?

SL: Yeah, very happy.

KW: The bookworm Troy Johnson question: What was the last book you read?

SL: Dreams from My Father by Barack Obama.

KW: Who are you supporting for president?

SL: Barack Obama!

KW: The Tasha Smith question: Are you ever afraid?

SL: Everybody’s afraid.

KW: What has been your biggest disappointment?

SL: My biggest disappoint so far was when I couldn’t get that Jackie Robinson film made. And then, when I couldn’t get the Joe Louis-Max Schmeling film made, or the James Brown bio-pic.

KW: Do you have a bio-pic in the works?

SL: Yes I do. I just optioned the right to the autobiography of a black physicist and professor at the University of Connecticut named Ronald Mallett called The Time Traveler. He’s drawn up the blueprint for a time machine.   

KW: Is there a question no one ever asks you, that you wish someone would

SL: Not really.

KW: The Music Maven Heather Covington question: What’s music are you listening to nowadays? 

SL: Right now I’m listening to Raphael Saadiq’s new album, The Way I see It, and to Terence Blanchard’s score to Miracle at St. Anna.

KW: How do you want to be remembered?

SL: For my body of work.

KW: Thanks for the time, Spike.

SL: Alright man, thanks.

To see a trailer for Miracle at St. Anna, visit:

http://www.youtube.com/watch?v=zXMVLN5rqpA

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 Copyright 2008. Disilgold. For full interview visit www.disilgold.com

 

 

 

 

 

 

 

 

 

 

Disilgold.com: Exclusive News from the Desk of Omar Tyree: New York Times Bestseller lands 3 Books in One Month!

 

 

 

The Triple Threat Book Tour
One spectacular book tour and three great titles all on the subject of business from award-winning, New York Times bestselling author, Omar Try.

Pecking Order
Simon & Schuster, Fiction; 432 pages / $24.00
Experience the making of a multi million dollar man; the story
of Ivan David and his highly lucrative promotions business in San Diego, California. Some guys know how to hustle, while others only stare in envy.
The final adult novel by Omar Tyree.

The Equation; Applying The 4 Indisputable
Components of Business Success
John Wiley & Sons, Non-Fiction; 272 pages / $25.95
Learn to apply the ground breaking formula  L/A * S = B.TM
Tyree states, “First you have to Love (L) what you do, then become a highly skilled Artist (A) at it, while developing promotional and marketing tools to gather public and professional Support (S), which ultimately leads to big Business (B).”
Also referred to as
Red/Gold * Green = Purple. What color of business are you?

12 Brown Boys; A Mr. Creative
Short Story Book
Just Us Books, Children’s; 192 pages / $9.95
Tyree enters the field of children’s books for urban youth, with the first title
from his
Mr. Creative publishing brand in partnership with Just Us Books.

- more -

About The Triple Threat Book Tour, Tyree says,
“Over the past five years, I’ve come up with a bunch of business ideas while
continuing to write books of fiction. Now I finally get a chance to put some
of those ideas in motion. And with the state of the American economy, and a
new presidential election right around the corner, the subjects of business and financial literacy are the perfect topics of discussion. I’m just fortunate to have this great opportunity with three different publishing houses to put it all together.”

But how do you publish three different types of books
all in the same year?

“One of the key components I discuss in The Equation (John Wiley & Sons) and write about in Pecking Order (Simon & Schuster) is innovation. You can’t count on just one form of income and expect to stay wealthy nowadays. You need various forms of hustle. So I want to be able to talk about that and teach it on a national level. Stepping into the business world twenty-four-seven now will
allow me a chance to do so.”

Omar Tyree, a New York Times best-selling author, a 2001 NAACP Image Award recipient for Outstanding Literature in Fiction, and a 2006 Phillis Wheatley Literary Award winner for Body of Work in Urban Fiction, has published 18 books and has sold nearly 2 million copies worldwide. With a degree in Print Journalism from Howard University in 1991, Tyree has been recognized as one of the most renown contemporary writers in the African-American community. He is also an informed and passionate speaker on various community-related and intellectual topics. Now entering the world of feature films, business lectures, and urban children’s books, Tyree is a tireless creator and visionary of few limitations. For more information on his work and titles, please view his web site @ (www.OmarTyree.com).

The Triple Threat Book Tour
Sponsored by Urban Literacy Project with
Barnes & Noble  /  Borders  /  Books-A-Million  /  Wal-Mart  /  Amazon.com

Urban Literacy Project
. . . is a nonprofit 501 (c) 3 organization - ID# 31646 - established to raise funds for the goal of increasing the overall literacy rate among urban and other disadvantaged youth and citizens through informative lectures, panel discussions, performances, presentations, workshops, enrichment opportunities, and book donations at schools, community centers, libraries and a special events nationally.

Our activities will provide  access to information, tools and resources that foster achievement and utilization of higher literacy. And we plan to invite popular and successful professionals in the fields of education, literature, stage, film, television, music, business and finance to impart their knowledge through all of the methods listed.

Reading – is not only learning to understand words, sentences, paragraphs, and the general subjects of books, reading is asking questions, becoming curious, discovering ideas and comprehending everything around you. Reading is all about filling up a brain with usable software.

Writing – is not only documenting your thoughts and ideas on paper, writing is learning to become active about the things you enjoy and would love to do in life. Writing is the activity that shares your personal vision with the rest of the world.

Thinking – is more than just daydreaming and wondering out loud, thinking creates the ideas that we all respond to. Thinking is how we come up with the unique flavors that add to our universe. So what great ideas are you thinking about now?

Omar Tyree, the Founder and Chairman, is a New York Times best-selling author, a 2001 NAACP Image Award recipient for Outstanding Literature in Fiction, and a 2006 Phillis Wheatley Literary Award winner for Body of Work in Urban Fiction. He has published 18 books and has sold nearly 2 million copies worldwide. With a degree in Print Journalism from Howard University in 1991, Tyree has been recognized as one of the most renown contemporary writers in the African-American community. He is also an informed and passionate speaker on various community-related and intellectual topics. For more information on his work and titles, please view his web site @ (www.OmarTyree.com ).

Author’s Platinum Profile is available on the www.disilgold.com

Disilgold.com Book Recommend: Hazel Scott by Karen Chilton

Biographer Karen Chilton pens the Biography of Legendary Entertainer Hazel Scot, now available on Amazon.com. The full title hitting bookstores everywhere is Hazel Scott: The Pioneering Journey of a Jazz Pianist from Cafe Society to Hollywood to HUAC. The book unleashes the behind-the-scenes makings of a music legend and dying art form having even celebrity musicians host contests and auditions to recruit band leaders. The book is highly recommended by the YOUnity Reviewers Bookclub members Worldwide.

Amazon.com: Hazel Scott: The Pioneering Journey of a Jazz Pianist from Cafe Society to Hollywood to HUAC: Karen Chilton: Books

Disilgold.com Movie Review: Miracle of St. AnnaBravery of Buffalo Soldiers Belatedly Acknowledged by Spike Lee’s WWII Saga

Miracle at St. Anna

 Film Review by Kam Williams

 

Bravery of Buffalo Soldiers Belatedly Acknowledged by Spike Lee’s WWII Saga

 

            During World War II, the United States Armed Forces were still segregated, and the government directed embedded cameramen not to film or photograph any black soldiers on the front lines. Consequently, African-American GIs were invisible not only in official news footage, but later when it came time to write the history books and to shoot Hollywood movies.

            As a Baby Boomer, I distinctly remember being virtually raised on sentimental, patriotic war flicks which invariably suggested that all of the country’s heroes had been white, misleading accounts which stood in sharp contrast to the stories simultaneously being shared with me by my father, my uncles and other honorably-discharged veterans. Regrettably, this slight against them was never corrected during most of their lifetimes.

Even relatively-recent World War II cinematic adventures, such as Clint Eastwood’s Flags of Our Fathers and Letters from Iwo Jima, have continued to overlook the bravery of the so-called Buffalo Soldiers. This makes Spike Lee’s Miracle at St. Anna an important contribution simply by virtue of its being brought to the big screen at all, for it pays tribute to the service, albeit belatedly, of the long-neglected black members of “America’s Greatest Generation.”

The movie was adapted by James McBride from his fact-based best-seller of the same name, a 300+ page-turner chronicling the exploits of the all-black 92nd Division stationed in Italy in 1944. This character-driven tale specifically telescopes on the plight of a quartet of enlisted men separated from their decimated unit and forced to survive by their wits in a tiny Tuscan village located behind enemy lines.  

Each of the four protagonists represents a readily-recognizable archetype, starting with Aubrey Stamps (Derek Luke), the prototypical no-nonsense Staff Sergeant and highest ranking officer. Then there’s the preacher-turned-playboy Bishop Cummings (Michael Ealy), gentle giant Sam Train (Omar Benson Miller) and Puerto Rican Hector Negron (Laz Alonso), a Corporal who adds a little Latin flava’.

The movie opens and closes in New York City in 1983, courtesy of a wraparound featuring sixty-something Negron going postal just three months before his planned retirement. Was there perhaps a valid reason for his seemingly inexplicable violent outburst? The bulk of the balance of the picture is devoted to an extended wartime flashback wherein the answer ostensibly lies.

While only indirectly addressing the solution to that mystery, the multi-layered plot instead concerns itself with threading in an array of complicated sidebars. One involves Private Train’s adopting a boy (Matteo Sciabordi) orphaned by a Nazi massacre. Another pits gentlemanly Sgt. Stamps against the womanizing Bishop in a love/lust triangle for the affections of the most attractive lass (Valentina Cervi) in town. The third strand raises the question of the trustworthiness of the leader (Pierfrancesco Favino) of the local cell of the anti-Fascist resistance.

Nonetheless, the power of Miracle at St. Anna repeatedly derives from its plausibly portraying the Second World War from the heretofore unseen perspective of African-American soldiers, whether they’re shown secretly spitting into the canteen of a racist white superior, wondering why they’re risking their lives for a country where they can’t even vote, or reflecting on actually feeling more free in a foreign land than they ever have at home. An overdue history lesson about the indelible stain left by Jim Crow on the conflicted minds of black men forced to wage a white man’s war when they’d really prefer to be fighting for their own civil rights.

 

Excellent (3.5 stars)

R for graphic war violence, profanity, ethnic slurs, nudity and sexual content. 

Running time: 160 minutes

Studio: Touchstone Pictures

 

To see a trailer for Miracle at St. Anna, visit:

http://www.youtube.com/watch?v=zXMVLN5rqpA

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Sophina’s Numb3r Is Up: Interview with Sophina Brown of CBS Series Numb3rs

Sophina’s Numb3r Is Up: Interview with Sophina Brown of CBS Series Numb3rs

Interview w/ Kam Williams

www.disilgold.com

            Sophina Brown was born on September 18, 1976 in Saginaw, Michigan where she began acting in the second grade and hasn’t stopped since. She earned a B.F.A in Theatre Performance from the University of Michigan before heading to New York City and landing the lead of Nala in The Lion King.

Today, she’s perhaps best known for as Raina Troy on the CBS drama Shark. Since the show was recently cancelled, she returned to the stage temporarily at The Matrix Theater in Los Angeles to play Emma in a new production of Harold Pinter’s “Betrayal.” Here, she talks about her now joining the ensemble cast of the CBS series Numb3rs in a recurring role as Nikki.               

KW: Hi Sophina, thanks again for the time.

SB: Hi, thank you.

KW: Tell me a little about your character?

SB: Nikki is very different from any character I’ve played before. She goes off instinct, rather than intellect. She’s not afraid to get physical either. She’s used to using her fists before her words.  Nikki’s a lot rougher around the edges than Raina, that’s for sure!

KW: What surprises can fans of the show anticipate seeing this season?

SB: Well, I can’t give away any of the surprises, but Nikki definitely brings a new element to the FBI team.

KW: The Columbus Short question: Are you happy?

SB: I’m happier than I’ve ever been in my entire life. It is so true, I say it every day.

KW: The bookworm Troy Johnson question: What was the last book you read?

SB: I actually read a lot more plays than books.  The last play I read was Gem of the Ocean by August Wilson.

KW: The Tasha Smith question: Are you ever afraid?

SB: Yes, but never for long; any fear dissipates because of my faith.  So fear pops up for me, but I don’t ever let it consume me. 

KW: Is there a question no one ever asks you, that you wish someone would?

SB: No one ever really asks me about my faith, because no one ever really seems interested in that, but it’s the most important thing to me; I’m Christian, so it’s my life.

KW: What do you like to do to unwind?

SB: I go see a lot of theater, I love going out to eat and trying out new restaurants, and I’m a pretty awesome bowler.

KW: Music maven Heather Covington’s question: What music are you listening to nowadays?

SB: Right now, I’m listening to Prince’s CD that came in his new coffee table book. The book is called 21 Nights, and the CD, Indigo Nights, is of his concerts. It’s a live version of his songs.

KW: Do you finally have a page at MySpace or your own website? You didn’t the last time we spoke.

SB: No, I still don’t, I’m probably the last person on Earth without it.

KW: How do you want to be remembered?

SB:  Am I going somewhere?

KW: Not anytime soon. Thanks for another interview, and best of luck with Numb3rs and all your other endeavors. 

SB:  Thank you.

Copyright 2008.  DIsilgold. Full interviews are archived on www.disilgold.com.

An Angel has Lost an Angel!- Sadness Today! Sending message from Tonya Blount. Dedicating MAMA from Boys to Men!

For everything there is a season, and a time
to every purpose under the heaven.  A time to be born, and a time to die….   Eccelesiastes 3:1

My mother–Bertha Vaughn, my best friend, my confidant and my prayer partner departed this earthly life, Tuesday morning, October 14.  But her beautiful spirit lives on to be with her Heavenly Father. 

Her last words to me were “You’re going to be okay.”  I am asking you all to continue to pray for me and my family–to cover me in prayer during this time of bereavement that God continues to strengthen me and give me peace in my season of mourning. 

My mother was my inspiration and greatest support for my ministry. From the time I was born, she had spoken God’s divine purpose for me.  I am grateful and thankful that she lived to see the beginning works of God through her prophetic spoken words.

Her inner beauty matched her outer beauty…She was especially proud of her Native American and African American heritage.  She was 61 years young and “Mother of her church,” prayer warrior, devoted mother, loved grandmother, great-grandmother, sister and faithful friend.

Services will be held on:
Sunday, October 19, 2008 WAKE
5:00PM
Solid Rock Pentecostal Church
817 Classon Avenue
Brooklyn, NY  11238

Monday, October 20, 2008
10:00AM
Solid Rock Pentecostal Church
817 Classon Avenue
Brooklyn, NY  11238

Interment will follow at Cypress Hills Cemetery

For all cards, and calls of prayer:
725 Greene Avenue, #1
Brooklyn, NY  11221
718-399-7848 

Blessings,
Tonya Blount

The African American Pavilion at BookExpo is back at Jacob Javits, NY. See Exhibitors Information.

 

For Further Information Go To WWW.AMBERBOOKS.COM  OR  WWW.GOOGLE.COM  and Google Search – Tony Rose and The African American Pavilion at BookExpo America  or  Tony Rose and Amber Communications Group, Inc. or  The African American Pavilion at BookExpo America  or  Amber Communications Group, Inc.      Thank you

 
COUNTDOWN TO BOOKEXPO AMERICA

 
 
The 2008 5th Annual African American Pavilion at BookExpo America, Promotional Video.
CLICK THE VIDEO TUBE LINK BELOW TO SEE
THE 2008 5TH ANNUAL AFRICAN AMERICAN PAVILION
AT BOOKEXPO AMERICA PROMOTIONAL VIDEO.
 
Produced by:
Amber Communications Group, Inc.
 
Contact: Steve Rosato,  Director, Strategic Accounts and Sales, BookExpo America and Tony Rose, Executive Director and Co-Founder for exhibiting information at The 6th Annual African American Pavilion at BookExpo America 2009, The Jacob Javits Convention Center, New York City, NY, May 28-31, 2009 – For further information and exhibiting prices at (The Largest Book Trade Show In The World) please scroll down.
 
EXHIBITORS WANTED FOR THE 2008 AFRICAN AMERICAN PAVILION @ BOOK EXPO AMERICA JACOB JAVITS CONVENTION CENTER, NEW YORK CITY, NY, MAY 28 – MAY 31, 2009 
Jacob Javits Convention Center-
Save the Date: (May 28- May 31, 2009)
 7
Greetings

National:

Dear Exhibitor:

Amber Communications Group, Inc.;  Amber Books;  Adrienne Ingrum, LLC.;  QBR The Black  Book Review/QBR.com;  Written Magazine;  Disilgold.com;  AALBC.com;  MosaicBooks.com and Book Expo America Invite……….

Independent African American Book Publishers, Self Publishers, Black Interest Imprints at Major Publishing Houses, Literary Agents, and Publicists to exhibit at the African American Publishers Pavilion at Book Expo America, , Jacob Javits Convention Center, New York City, NY, May 28 – May 31, 2009.

Co-Founders of The African American Pavilion at BookExpo America, Tony Rose, Publisher/CEO, Amber Communications Group, Inc. and Adrienne Ingrum, CEO, Adrienne Ingrum L.L.C., former founding Associate Publisher of Black Issues Book Review have signed a new agreement with BookExpo America/Reed Expositions to manage the 6th Annual African American Pavilion @ BEA and produce the African American Pavilion Welcoming Reception and The African American Pavilion Reception and Awards Program at BookExpo America, Jacob Javits Convention Center, May 28 – May 31, 2009, New York City, NY.

 
Now in its sixth year, the 5,500-square feet of joint exhibit space showcasing on the main exhibit floor/hall, African American books, authors, products and publishers, is the market place for thousands of African American publishing industry professionals.  Influential exhibitors and book buyers form a community of unprecedented strength.  “The African American Pavilion is a growing presence at BEA,” says Exhibitor, ZANE, Publisher, Strebor Books International, LLC/Simon and Schuster, National Best-Selling Author of several New York Times and Essence Best-Selling titles and the 2008 African American Pavilion Awardee, “The Distinctive Voice and Publisher Award”,There will be great opportunities to learn, educate, sell, and network and it’s making African American history a vital, visable part of the 108-year history of BookExpo America/American Booksellers Association.”

“The response by the exhibitors and the book publishing industry to the 2008 African American Pavilion at BookExpo America was tremendous and powerful”, stated Pavilion co-founder Tony Rose. “The Pavilion hosted some of the giants in the African American Publishing Industry such as: Earvin “Magic” Johnson, Chairman and CEO of Magic Johnson Enterprises;  Tavis Smiley, Founder, The Tavis Smiley Foundation, New York Times and Essence Best-Selling Author;  Denise Nicholas, Emmy and NAACP Image Award Winner;  Kassahun Checole,  Publisher, Africa World Press/Red Sea Press;  Zane, Publisher and Founder, Strebor Books International/Simon and Schuster;  Wade Hudson, President/CEO, Just Us Books;  Mary B. Morrison, New York Times and Essence Best-Selling Author;  Judith Curr, Executive Vice President, Publisher and Founder of Atria Books; Cheryl Woodruff, President, Associate Publisher, Smiley Books; Omar Tyree, New York Times and Essence Bestselling Author;  Terrie Williams, President and Advocate, The Stay Strong Foundation and The Terrie Williams Agency, Essence National Best-Selling Author;  George C. Fraser, National Best-Selling Author, Founder of FraserNet and The Power Networking Conference;  Donna Hill, National Best-Selling Author;  Carol Mackey, Editor-In-Chief, Black Expressions Book Club;  Max Rodriguez, Founder, The Harlem Book Fair/QBR The Black Book Review;  Troy Johnson, Founder, AALBC.com;  Ron Kavanaugh, Founder, MosaicBooks.com;  Jewell Parker Rhodes, National Best-Selling Author;  Synthia SAINT JAMES, Internationally renowned Artist and Author;  Dante Lee, President and CEO, Diversity City Media and Pam Perry, Chief Visionary, Ministry Marketing Solutions, President, Chocolate Pages.”

BookExpo America, one of the largest book trade exhibits in the world provides independent African American book publishers, self publishers, authors, African American imprints at major publishing houses, distributors, literary agents, publicists, librarians, and bookstore owners with exposure to more than 80,000 book buyers and booksellers from across the world. With over 20,000 BEA attendees crossing up and down the Pavilion aisles. There will be huge opportunities to learn, share, educate, buy, sell and network, and the African American Pavilion provides our exhibitors the lowest discounted booth prices at the BookExpo America.   

The African American Pavilion at BookExpo America was founded in 2004 by: Tony Rose, Amber Communications Group, Inc., Adrienne Ingrum, Adrienne Ingrum, L.L.C. and Niani Colom, Genesis Press.

2006, 2007 and 2008 AFRICAN AMERICAN PAVILION EXHIBITORS INCLUDED:

African American Books On Tour;  Africa World Press/Red Sea Press; African American Literature Book Club (AALBC.com); Afrikan World Book Distributors; Alight! New York Grit Books; Amber Communications Group Inc.;  Amiaya Entertainment; AmmPublishing; Annie Busby; Aphesis Publishing; Arc Type Press; Around the Way Books; Asta Publications; Aya Press; Aspicomm Media; Avo Publishing; Austin Publishing/Kaden Publishing; Baker Publishing Group; Barry Nix; The Beckham Publications Group Inc.; Big Door Presentations and Publications; Big Time Studios; BIS Publications; Biz-E-Bee Publications; Blacast Entertainment/ Urbanbooksonline.com; Black Americans In Publishing; Black At Work.com; BlackBoard Entertainment Media Group; Black Issues Book Review; BlackListed, LLC.; Black Print Publishing; Brand Nu Words; Brooklyn Christian Center; BroSis Publishing; Brown Erotic Publishing; C&B Books Distribution; Chocolate Angel Publishing; Chocolate Pages; Creative Wisdom Books; Christian Nations Center; Connie Leon; Color Bridge, LLC; Cultured Expressions; Delores Quinerly Press; Destiny Publishing; Disilgold Soul Publishing; Diversity City Media, Inc.; Emida International Publishing; Every Generation Media, LTD; firebrandpublishing; First Black Autos-The Story of Charles C.R. Patterson; FYOS; Genesis Press; GhettoHeat; Green Olive Tree Publishing; GS Publishing Group; Gumbo For The Soul Publications; Harobed House: Hilton Publishing; Imperious Publishing; In and Out the Dugout; In the Note of C; Irene Smalls; It’s Time For Bed; Jewels Publishing; Just Like Me Books; Just Sisters Publications; Just Us Books, Inc.; Kaden Publishing; Kandour Publishing; Ken Hudson & Associates; Kidding Around Entertainment; K Harris Publishing, Inc.; Kija Entertainment; Kingdom Kids Clubs; Kinship Press; Kymber Jae Publishing; Late Bloomer; Lefall and Company; Le’Femme Fatale Productions; Lift Every Voice/Moody Publishers; Lighted Mansions; Literally Speaking Press; Literamed Publications;  Mad Parent Publishing; M&E Abrams Publications; Maria Falconer; Mahogany Star Publishing; Melodrama Publishing; Mind Candy; MomoWilly, Inc.; Mirror-Gibbs Publishing;  Mosaicbooks.com; Ms. Gail’s Books; Nay-jay Publishing; Nefrawerks Diversified; Nega Fulo Books; Nile Publishing; Nunes Productions; Outskirts Press; Papa Lemon; Papyrus Publishing; Pathway Publishing; Paul L. Woodring; Parker Publishing; People Skills International; Pond View Press; Power Play Media; Prodigal Son Ministries; Publishing Associates; Q-Boro Books; QBR The Black Book Review/Harlem Book Fair; Quick Qwest publications; Relentless Content, LLC; RJ Publications; Renaissance Media Sales & Distribution; River Maverick Publishing; Ruby Burke; S.E.L.F. Publishing; Shawn Ryan; Sheryl Walker Press; Silver Maple Publications; Strebor Books International; Sun Cycle Publishing; Tate Publishing; The Cartel Publications; The Elevator Group; The Healing Tree; The Pilgram Press; Third World Press; Triple Crown Publications; Urban Ministries; Urban Touch Entertainment; White Men Can’t Hump; Wisdom Books, Inc.; Who’s Who Publishing; W. James Richardson; Walk Worthy Press; and Writing for the Lord Ministries; and Written Magazine.

FOR EXHIBITING INFORMATION:

For exhibiting information at the African American Pavilion at BookExpo America contact Steve Rosato, Director of Strategic Accounts and Sales at 203-840- 5463; Email: srosato@reedexpo.com   and Tony Rose, Executive Director, Co-Founder at 520-568-6692; Email: amberbk@aol.com

 
 
The African American Pavilion Package includes (but is not limited) to the following:

EARLY BIRD BONUS (VALUE)!!!  YOU WILL RECEIVE A FREE 1/4 PAGE AD IN THE 2009 EXHIBITORS JOURNAL,  AND A FREE ($199.00)  WEBSITE EVALUATION/ CONSULTATION WHEN YOU RESERVE SPACE ( 50% DOWN ) BY December 1, 2008 ( Except Value Package )

10×10 package-$3,690.00 (100 sq. ft.) (30% Discount off all BEA Exhibitor Pricing) includes 6 badges.

10×10 Value Package-$2,600.00 (100 sq. ft.) NO combining.

Premium Small Press $3,035.00 (80 sq. ft) – NO combining / (30% Discount off all BEA Exhibitor Pricing) includes 4 badges.

Premium Small Press Value Package $2,450.00 (80 sq. ft.) – NO combining.

Small Press $1,880.00 (48 sq. ft) NO combining / (30% Discount off all BEA Exhibitor Pricing) includes 2 badges.

Small Press Value Package $1,325.00 (48 sq. ft.) NO combining.

10×20 package-$6,419.00 (30% Discount off all BEA Exhibitor Pricing) includes 10 badges.

ALL PACKAGES INCLUDE

All packages ( Except Value Package ) include carpet, (1) draped table and (2) Side chairs, (1) wastebasket.

All packages include individual listing on web and official directory.

Specific booth location w/in Pavilion will be assigned.

Badge allotment ( Except Value Package ) determined by size per official show rules.

All packages ( Except Value Package ) include meeting room privileges.

Pavilion Show floor signage- (Banner) Recognized as official BEA Pavilion.

Pavilion will be promoted in the BEA directory, website, QBR The Black Book Review – QBR.com / Written Magazine / BlackNews.com / AMBERBOOKS.COM and other national media outlets.

SPECIAL FEATURES FOR 2009

Special exhibitors placement in The African American Pavilion for Children’s Publishers and Self Publishers.

Literary agents booth, with private meeting room privileges.

Publicists booth, with private meeting room privileges.

Listing in Book Expo America master directory.

Listing on Book Expo America Website directory.

Company listing in Written Magazine / QBR The Black Book Review – QBR.com / www.bookexpoamerica.com and www.amberbooks.com .

For further information on the African American Pavilion and BookExpo America please visit: WWW.BOOKEXPOAMERICA.COM  or  WWW.AMBERBOOKS.COM

FOR EXHIBITING INFORMATION
For Exhibiting Information please contact Steve Rosato at 203-840-5463 or email: srosato@reedexpo.com and Tony Rose at 520-568-6692 or email: amberbk@aol.com

Any questions, thoughts, or suggestions, please email: AMBERBK@AOL.COM  

Thank you.

Sincerely,

Tony Rose
Publisher/CEO
Amber Communicatons Group, Inc.
Executive Director and Co-Founder, The African American Pavilion at BookExpo America
.
Adrienne Ingrum
President
Adrienne Ingrum, L.L.C.
Co-Founder, The African American Pavilion at BookExpo America
 
Yvonne Rose
Associate Publisher
Amber Communications Group, Inc.
National Director, The African American Pavilion at BookExpo America
 
Heather Covington
President
Disilgold.com / Disilgold Soul Magazine
Associate National Director, The African American Pavilion at BookExpo America and National Director of Online Promotions
 
Lynette McMillon
President
The Tushe Group
Associate National Director, The African American Pavilion at BookExpo America and National Director of Publicity, Promotions and Sponsorships
 

Promotions brought to you by Heather Covington disilgold@aol.com    •   CLICK EVENT UPDATES LINK AT:  http://www.disilgold.com  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 

THE BOSTON BOOK BAZAAR IS HERE BY NISHAWNDA ELLIS. RSVP NOW!

The Boston Book Bazaar has finally arrived!!!

This Saturday October 18 from 12-7pm, the Boston Book Bazaar will open it’s doors for a day long festive book fair filled with authors, publishers, readers and spectators.  Don’t forget to stop by our registration table to sign up for free giveaways and enter raffle event.  See you there.
 
 http://rs6.net/tn.jsp?e=001tVL7wM_8DZxWGG6vTnlyVLwVPq6xvVBk9BN0TWaqRyDuXi8fBJYcA2R080Y2FGU9S3-0WqH0gDJE9tbH0yR3OEUjTa9oVzt_KbCO4Q5z1eQH7oXZY8C3ah4iStVX94XT

 

Mosaic Literary Magazine Invites You to The Acentos Bronx Poetry Showcase

http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/3e4cbfef3a

   
http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/358eb9455d

Join Mosaic Literary Magazine, and the Acentos Bronx Poetry Showcase, as we celebrate ten years of presenting the literary arts by writers of African descent. This series of readings will display the diversity of content Mosaic has showcased since 1998.

Tuesday, October 14, 7-10pm
Patrick Rosal

http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/07889c24b0

http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/207c22a8e5

Patrick Rosal is the author of two full-length poetry collections, Uprock Headspin Scramble and Dive, which won the Members’ Choice Award from the Asian American Writers’ Workshop, and most recently My American Kundiman, which won the Association of Asian American Studies 2006 Book Award in Poetry as well as the 2007 Global Filipino Literary Award.

His poems and essays have been published widely in journals and anthologies including Harvard Review, Crab Orchard Review, Pindledyboz, Black Renaissance Noire, and  Columbia: A Journal of Literature and Art.

Bruckner Bar and Grill
1 Bruckner Blvd.
Bronx NY 10454
Free event.

Contribute $10 and receive a one-year subscription to Mosaic.
Co-presented with the Acentos Bronx Poetry Showcase
Map Event
 

These events were funded in part by Poets & Writers, Inc. through public funds from the New York State department of Cultural Affairs; and The Bronx Council on the Arts

   

 

 

http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/5defba4635 This is a regular newsletter focused primarily on Mosaic Literary Magazine and the programs of the non-profit arts organization Literary Freedom Project.

     

http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/dd74b6c910/ORGID2=32-0011578Support what you believe in.

Do you believe books are an important source for cultural identity, history, and social studies? The Literary Freedom Project does; and through professional-development workshops, lesson plans, and Mosaic magazine LFP seeks to increase the adoption of literature as an education tool and leisure activity.

Click here, your support will strengthen our ability to present the literary arts to teachers, youth, and readers.

 

 

http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/1db5b9e801 Mosaic is a quarterly magazine exploring the literary arts by writers of African descent. Each issue contains a unique blend of essays, profiles, and reviews.
 

http://cts.vresp.com/c/?LiteraryFreedomProje/8e807d5c55/06d70f7253/5154fdc5c2ISSUE 22 OF MOSAIC LITERARY MAGAZINE
Mosaic
continues to document important voices informing contemporary literature. In this issue Ozioma Egwuonwu interviews the bestselling young-adult writer Walter Dean Myers. He discusses his new book The Game.

Nicole Sealy interviewed legendary poet Nikki Giovanni about her 30 books of poetry. We also reviewed books by Paula Giddings, Kalisha Buchanon, and Lamont Steptoe.

As always, there’s more wonderful editorial, but you’ll have to subscribe. Go to  http://mosaicmagazine.org/preview.html, and receive 60% off the cover price.

Future issues will feature Naomi Long Madgett, Ta-Nehisi Coates, Akiba Solomon, and Jamel Shabazz among others.

Subscribe to Mosaic. Your support will strengthen our ability to showcase the literary arts by writers of the African Diaspora.

www.disilgold.com- Can this Book on Barack Obama beat Barack Obama’s own book sales by Rosalind Harris?

 


Barack Obama Making History


Rosalind ‘Bee’ Harris

 

For cover photo, and photo of publisher Rosalind “Bee” Harris, see attachments:

 

Barack Obama: Making History

Edited by Tanya Ishikawa

Rolado, LLC

Paperback, $20.00

48 pages, illustrated

                         

Book Review by Kam Williams

 

“Like millions of women across America, I wear so many hats, and play so many roles each day. I am a professional, wife, daughter, sister and best friend. But the role that I cherish the most is the role of Mom…

Above all else, I want my girls to be happy and healthy. They’re all I think about from the moment I wake up until I tuck them in at night. I want them to grow up in a world where they can dream and achieve without limits. If Malia or Sashaever decided o pursue a career in politics, I would support them and encourage them to follow their dreams.                                                                                                                                                                                                                           – Excerpted from interview with Michelle Obama (page 15)

With the country less than a month away from what’s promising to be an historic presidential election, what better way to mark that groundbreaking moment than with a limited edition commemorative not only filled with dozens of Obama family photos but revealing interviews with both Barack and Michelle?  That inspired idea occurred to publisher Rosalind “Bee” Harris, given that her hometown of Denver would be hosting the Democratic National Convention.  

            Bee’s brainchild is Barack Obama: Making History, a coffee table book edited by Tanya Ishikawa. Besides the aforementioned interviews, this informative opus contains a biography of Barack and an article about his meteoric rise. In addition, there’s a piece comparing the 1908 and 2008 Democratic Conventions, both of which were staged in Denver. And there’s a profile of Pastor Leah Daughtry (daughter of long-time NYC civil rights activist Reverend Herbert Daughtry) who served as CEO of the convention.

Its handsome cover features a stunningly realistic drawing of Obama by award-winning artist Jack Price, and the text begins

thereafter on page one with a touching tribute entitled, “Blessed Brother Barack” by poet Helen Littlejohn. Best of all, it’s for a good cause, provided you’re supporting the Senator from Illinois, since a portion of the proceeds of this cherished keepsake will be contributed directly to the Obama campaign.

 

To order a copy of  Barack Obama: Making History, call  (303) 292-6446

Or email: DUC@urbanspectrum.net 

 
=

Senator Biden vs Palin- Who won the Vice Presidential Debate

Senator Biden won the Vice Presidential Debate 3 fold tonight by 1. backing Barack Obama with clear concise facts that were much clearer than both Presidential candidates 2. connecting with the middle class very effectively and 3. remaining sensitive to his opponent’s personal struggles by reflecting on his own struggles as a once single parent upon his former wife and child being killed in a car accident.  All points were well received by Americans as sincere, factual and supportive of America.

Biden further emphasized that he did not rise to the top with a silver spoon in his mouth. Biden acquired a loan to acquire education and a modest home. He was humbled by his past and admitted he is now  well off, but he has walked in middle class America’s shoes. This was a very important reflection as well as his mention of efforts to pass bills that would place more cops on streets and not just joy riding in their cars with doughnuts and coffee, no disrespect, but crime does not happen in police cars. It happens in the streets.

Furthermore, Biden didn’t mock the Americans by purposely talking at them with that “GOOD SPEECH” mode.  He talked with Americans. He addressed the moderator by her name. Palin addressed the moderator as a “HER” which wasn’t very sisterly, nor respectful to quality media and my opinion racially charged. She didn’t even mention Biden’s name when addressing him and all of her comments were very sinical, mean-spirited and sarcastic. She seemed bitter and angry under the exterior and lacked grace, honesty, trust and dignity. You can’t take her face as a sincere and honest resource. Every remark was undercutting and below the belt.

Biden avoided terminologies like “Maverick” which divide people and mock patriotism. Something is wring if a member of a party is against its own party and you have to ask why? Is Senator McCain playing role of the underdog making a comeback. Does McCain have unfinished business and disdain for getting caught and wounded in war to the point he talks about wounds that should be sacred and thus, never mentioned if you really went to war to serve your country? This rule applies to any civilian on a job. What happens at the job is supposed to stay on the job, but McCain uses his wounds like a trophy and very much how Palin kills God’s creatures for sport to exercise her right to bear arms and play war games on innocent animals called God’s creatures. Her ideals are overshadowed and influenced by her meat butcher packing husband instead of her own. Palin is against abortion, but yet pro killing God’s innocent creatures, and so why did Michael Vick go to jail for destroying wounded pet pit bulls who obviously would suffer more after a game fight. It seems like immorality superceds morality.

 Unlike Palin’s Pop Shot, Biden did not “Surrender America’s white flag” by emphasizing Palin’s points that are interest based and funded by the wealthy with vested image in controlling countries over seas and evoking fear in America waged against wars the average 5th grader does not even understand as trillions of dollars go out to various interests every day overseas.

Palin stresses that we should not pull out of countries that may be able to make nuclear weapons when these countries have already made nuclear weapons being that their land has been evaded. It makes sense as any other country like America that also, has nuclear weapons. Are we too say that other countries are less qualified to bear arms to protect their country and keep thieves out like the Native Americans who only had bows and arrows and if they had nuclear weapons America would not be here? Who is right? Who is wrong? Who’s war is it? What are we protecting? And Why?  All people around the world are people, but yet Palin wants to instill the same fear mode of addressing people from other countries as the enemy.  Are their kids any less substantial than American kids. Why the double standard and hypocrisy? Are we repeating man’s same mistakes and history spelled out in wars among people in the story of the bible.

 Palin took a rod and speared Barack without his presence by using words like “baramoter” which have connotations of Baracks’ name . This method of ideology would get anyone to spew forth harsh words, but each time Palin spoke, Biden moved on which shows he isn’t petty and interrogative. He focuses on facts and is a great listener. He smiles with sincerity.

On the otherhand, Palin used her family as a security blanket to effortlessy appeal to parents who may not realize there is a huge difference and moral responsibility from taking care of a child with Down Syndrome from dealing with terrorists overseas and possibly in our country.

 

 She looked detached from her own child and not once did she look at her child. She patted her child’s back very hard. She was cold and almost like an animal hunter who shoots innocent animals in vain and for sport and doesn’t apologize to put it graphically. There was clearly no love bond. It’s almost as if she is prepared to put her child’ life in the hands of family and her unemployed husband who fails to represent a strong man as he goes around on  a ferris wheel for “Sport” and cameras with no baby seat. That was dangerous and God knows how haphazardly Palin will handle America’s problems. What woan would put the presidency of the United States before efficiently taking care of her child with special needs who was exposed to loud noise, an overwhelming volume of voices and traumatized to complete stillness she had to be subjected to by the hands of her selfish mom. Some things are just uncalled for. There is nothing like a mother’s love, and especially for a child with Down’s syndrome.

 Palin is selfish for neglecting her child to run for Vice Presidency. Is it the job she’s interested in or the money? She wasn’t even a hopeful until days before John McCain stated his vice-presidential candidate. McCain new that by exploiting an attractive woman he could win over gullible folks. Palin repeated the same things,  added a lot of rhetoric and talked too much about herself and fear. Do we want America’s children to be introduced into their generation with fear? And who really took advantage of Americans tonight? It is clear that anyone who tells lies is on a bridge to no where. Using one’s status as a mother with  a child with special needs who plays hockey and shoots animals for sport and believes in stealing women’s moral rights in this country called  AMERICA  and utilizes bad grammar with words like doggonit is really taking advantage of every woman’s intelligence who refuse to be represented by a sinical woman so she seems,  but remember, like attracts like and it will be a test for America to reveal its true ignorance at the polls.  Palin isn’t patriotic. Palin wants to be a rock star and make more money! Ask her would she take on the job without a paycheck and I guarantee you that she would not be able to tell her husband to go back to being a meat butcher. www.disilgold.com.